It is not easy to find a single word in English that
can stand for the Bosnian concept of SEVDAH, although yearning perhaps comes
closest. Like the Spanish duende, it carries multiple meanings – love, hopeless
love, endless love, a desire that chills and fevers the lover like malaria, and
like malaria can never be shaken off – but in the end, it’s a way of life, and
a narrative that tells the story of itself.
Amira was born in Sarajevo at the time when the
popularity of traditional music in the former Yugoslavia was at the high tide,
and sevdah held a special place for her. The sevdalinke (sevdah songs)
she learned from her mother were the most beautiful of songs. Her
fascination with the oral tradition of Bosnia and Herzegovina led her to devote
herself to creating a unique voice within sevdalinke to explore their
expressive capacity to the full. She had spent years searching in vain
for to find people who shared her ideas about Sevdah, and for the best way to
present it.
Dubbed “Bosnia’s Billie Holiday” by music journalist
and author Garth Cartwright, the comparison reflects the way in which Amira
turns sevdah inside out, finding new contexts and forms within a tradition that
is hundreds of years old.